Elly Griffiths

A dark story has been brought to terrifying life. Can the ending be rewritten in time? This is what the police know: English teacher Clare Cassidy?s friend Ella has just been murdered. Clare and Ella had recently fallen out. Found beside the body was a line from The Stranger, a story by the Gothic writer Clare teaches, and the murder scene is identical to one of the deaths in the story. This is what Clare knows: No one else was aware of her fight...

When a child's bones are found near an ancient site that archaeologist Ruth Galloway worked on ten years earlier, she is asked to date them. DCI Harry Nelson hopes they are the bones of a girl, Lucy, who's been missing for ten years. When another girl goes missing, Nelson realises Ruth's expert knowledge is putting her in danger.

Ruth Galloway is called in to investigate when builders, demolishing a large old house in Norwich to make way for a housing development, uncover the bones of a child beneath a doorway - minus the skull.

When a Norfolk farmer finds a World War Two plane, complete with skeleton, in a quarry, local archaeologists are called in. At first it all seems fairly straightforward - many American airmen were based in Norfolk and their empty hangers and airstrips, the so-called 'ghost fields', can be found all over East Anglia. But it's not that simple ...

Forensic archaeologist Ruth Galloway has excavated a body from the grounds of Norwich Castle, a forbidding edifice that was once a prison. She believes the body may be that of infamous Victorian murderess Jemima Green. Called Mother Hook for her claw-like hand, Jemima was hanged in 1867 for the murder of five children in her care. DCI Harry Nelson